文化兴则国家兴，文化强则民族强。当代中国，江山壮丽，人民豪迈，前程远大。时代为我国文艺繁荣发展提供了前所未有的广阔舞台。推动社会主义文艺繁荣发展、建设社会主义文化强国，广大文艺工作者义不容辞、重任在肩、大有作为。

广大文艺工作者要增强文化自觉、坚定文化自信，以强烈的历史主动精神，积极投身社会主义文化强国建设，坚持为人民服务、为社会主义服务方向，坚持百花齐放、百家争鸣方针，坚持创造性转化、创新性发展，聚焦举旗帜、聚民心、育新人、兴文化、展形象的使命任务，在培根铸魂上展现新担当，在守正创新上实现新作为，在明德修身上焕发新风貌，用自强不息、厚德载物的文化创造，展示中国文艺新气象，铸就中华文化新辉煌，为实现第二个百年奋斗目标、实现中华民族伟大复兴的中国梦提供强大的价值引导力、文化凝聚力、精神推动力。

If culture prospers, the country prospers, and if culture is strong, the nation is strong. Contemporary China has magnificent rivers and mountains, heroic people and great prospects. The era has provided an unprecedented broad stage for the prosperity and development of China's literature and art. To promote the prosperity and development of socialist literature and art and build a socialist cultural power, the majority of literary and art workers are duty bound, shoulder the important task and make great achievements.

The majority of literary and artistic workers should enhance their cultural consciousness, strengthen their cultural self-confidence, actively participate in the construction of a socialist cultural power with a strong historical initiative, adhere to the direction of serving the people and socialism, adhere to the policy of letting a hundred flowers bloom and a hundred schools of thought contend, adhere to creative transformation and innovative development, focus on holding the banner, gathering the hearts of the people, educating new people, rejuvenating culture The mission and task of image exhibition is to show new responsibilities in Bacon's soul casting, achieve new achievements in integrity and innovation, radiate a new style in Mingde self-cultivation, display the new atmosphere of Chinese literature and art with the cultural creation of self-improvement and virtue, and create new brilliance of Chinese culture, so as to achieve the goal of the second century The realization of the Chinese dream of the great rejuvenation of the Chinese nation provides a strong value guidance, cultural cohesion and spiritual driving force.

【名家简介】[introduction to famous experts]

赵克鹏，字能之，别属迷斋主人，1957年生，河北清苑县人。自幼喜爱书法篆刻，1986修中国书画函大书法专业。研习书法篆刻50余年，得著名书法家熊任望、赵逢明等先生指教，临摹碑帖数十种。楷书上溯北碑，转习唐楷。草书以二王为基，用功于《书谱》，于张旭、怀素、山谷等多有涉猎。后深造明清諸家，于徐谓、白阳、王铎、傅山汲取营养，承古出新。追求线质古朴与墨润变化。擅楷、隶，行、草和篆刻。系文化部艺术人才库成员；2005年由中国书画家协会等单位评为“中国当代杰出书画家”，授予“中国当代书画艺术成就奖；2006年受邀参加中欧文化艺术交流展获“金”奖和“中欧文化艺术交流突出贡献奖”；作品曾入编《中国当代书法艺术名家集》等十余部典籍，并于《中国收藏》、《艺术与财富》等杂志刊载专辑。2018年被中国艺术名家研究会等单位授予“中国艺术华表奖”金奖。2019年由中国书画艺术出版社出版“中国当代艺术家-赵克鹏书法卷”；2021年由中国邮政出版发行“建党100周年专题邮册”。

Zhao Kepeng, the master of fan Zhai, was born in 1957 in Qingyuan County, Hebei Province. He has loved calligraphy and seal cutting since childhood and majored in Chinese calligraphy and painting at Hakka University in 1986. He has studied calligraphy and seal cutting for more than 50 years. He has been instructed by famous calligraphers Xiong RenWang and Zhao Fengming and copied dozens of inscriptions. Regular script goes back to the North Monument and turns to Tang Kai. Based on the two kings, cursive calligraphy is devoted to the book manual and has been studied by Zhang Xu, Huai Su, Gu Gu and so on. Later, he studied in the Ming and Qing Dynasties, absorbed nutrition from Xu Wei, Bai Yang, Wang Duo and Fu Shan, inherited the ancient and brought forth the new. Pursue the change of line simplicity and ink embellishment. Good at regular script, official script, line, grass and seal cutting. Member of the art talent pool of the Ministry of culture; In 2005, it was rated as "outstanding contemporary Chinese calligrapher and painter" by the Chinese calligrapher and painter Association and other units, and awarded the "achievement award of contemporary Chinese calligraphy and painting art"; in 2006, it was invited to participate in the China EU cultural and art exchange exhibition and won the "gold" award and the "outstanding contribution award of China EU cultural and art exchange"; His works have been compiled into more than ten classics such as the collection of famous Chinese contemporary calligraphy artists, and published albums in magazines such as China collection and art and wealth. In 2018, it was awarded the gold award of "Chinese art Huabiao Award" by the Chinese artists Research Association and other units. In 2019, the "Chinese contemporary artist Zhao Kepeng calligraphy volume" was published by China calligraphy and painting art publishing house; In 2021, China Post published and issued the "special stamp album of the 100th anniversary of the founding of the party".

迟涩飞动写上品 临危据槁书奇观——记著名书法家赵克鹏

Late astringent flying writes the wonders of top-grade and dangerous books -- on the famous calligrapher Zhao Kepeng

草书是一门极能体现书法家个人抒情品格的翰墨形体,草书写起来痛快,看起来亦是痛快。但是当代书坛,许多书法家过度追求痛快的书法过程,抛弃法度的内在约束,结果草书就真是变成了一笔草草的肤浅自造,变成了草书不入格,神仙不认得的尴尬。当代著名书法家赵克鹏先生,修炼草书,不走臆造肤浅之路,他遍观历代名家墨迹法帖,先修法度,再注自由,成为草书上品的时代创作者,也是草书文化的龙脉传承者。

以法帖为本是赵克鹏写草书的起点根基。在他的笔墨意识里,草书既然是书法的形体,必然是有“讲法”的追求。所以章草的运笔构字法度,是赵克鹏先生卓意获取的周全框架,然后再介入今草的恣意动逸,把抒情的起伏归化成笔墨的节奏,最后抒发性情自由,用大草一笔书,揣摩张旭的草书的狂,复观怀素草书的癫,草书磨砺是一步一台阶,因循草书演变完整的进化链,完成了草书法度与抒情的和谐统一。

Cursive script is a kind of calligraphy form that can reflect the personal lyric character of calligraphers. Cursive script is happy and looks happy. However, in the contemporary calligraphy world, many calligraphers excessively pursue the happy calligraphy process and abandon the internal constraints of the Dharma. As a result, cursive calligraphy has really become a cursive superficial self-made, and an embarrassment that cursive calligraphy is not qualified and the gods do not recognize it. Mr. Zhao Kepeng, a famous contemporary calligrapher, practices cursive script instead of making superficial assumptions. He looks at the ink scripts of famous calligraphers of past dynasties, first practices the law, and then notes freedom. He has become a top-grade creator of cursive script and a inheritor of cursive culture.

Taking the Sutra as the basis is the starting point and foundation of Zhao Kepeng's cursive writing. In his pen and ink consciousness, since cursive calligraphy is the form of calligraphy, it must have the pursuit of "teaching". Therefore, Zhang Cao's method of writing and composing characters is a comprehensive framework obtained by Mr. Zhao Kepeng, and then intervene in the wanton movement of today's grass, reduce the ups and downs of lyricism into the rhythm of pen and ink, and finally express the freedom of temperament. With a large cursive book, we can figure out Zhang Xu's madness of cursive script and review the madness of huaisu cursive script. The honing of cursive script is step by step, following the complete evolutionary chain of cursive script evolution, Completed the harmonious unity of cursive Dharma and lyricism.

由此,观赏他的草书,会有非常清楚的辨识性,也有相当跳跃的灵动感,不越法度体系,全面呈现笔墨自由,有雄迈气度,没有江湖陋习,有浑然气息,没有粗糙质感,这就是草书的典范,亦可以称为当下的样板。草书应该怎么写,应该写出什么样的形观气韵,不需要多费言语,可以直观赵克鹏先生的草书成果,以例说法,造诣卓然。

怀素练草书,极其用功,漆板写穿,但是苦练三年,心中生发出恍恍然:法无师授,何由户出?于是,他走出了一味闭门苦修的封闭,先求笔法于邬彤,得笔法的惊沙座飞和古钗脚,后求笔法于欧阳修,得笔法的铁画沙和屋漏痕。书法历史所记载的贤圣笔法,按照苏东坡的说法,自唐代以后已经失传,文采风流,扫地尽矣。

Therefore, when you watch his cursive script, you will have very clear identification and quite jumping spiritual movement. You will not exceed the Dharma system, and fully present the freedom of pen and ink, the boldness of bearing, no bad habits in the Jianghu, the pure flavor and no rough texture. This is the model of cursive script, which can also be called the model of the present. How to write cursive script and what kind of shape, outlook and charm should be written do not need to spend more words. We can intuitively see Mr. Zhao Kepeng's cursive script achievements. For example, we have great attainments.

Huai Su practiced cursive script very hard and wrote it on the lacquer board. But after three years of hard practice, he suddenly felt that there was no teacher to teach the Dharma. Why did he come out of the house? Therefore, he went out of the closed door and practiced hard. He first asked Wu Tong for his brush technique, and got the startling sand seat and ancient hairpin feet of his brush technique. Then he asked Ouyang Xiu for his brush technique, and got the iron painting sand and house leakage marks of his brush technique. According to Su Dongpo, the writing skills of sages and saints recorded in the history of calligraphy have been lost since the Tang Dynasty.

这是自唐以后,再也难见草书大家的原因。后来的书法家,都会以揣摩典籍中的笔法记载文字,结合自己的书法实践,去做解锁已经失传笔法秘籍的努力,赵克鹏就是努力者之一。

迟涩飞动写上品,临危据槁书奇观。得解草书笔法者,就会成为书法的大手笔。宋代米芾得解,明代王铎得解,当代赵克鹏先生也是解锁草书笔法的智者,所以他执笔写草书,绝然是高古风,完全能写孤蓬自振的动态,也可写成临危据槁的情景,妙意执笔,行运圆畅,毫无拘揽,转折逸动,鸿飞兽骇,再配合墨色的浓淡干湿焦,飞白如瀑,书写成天下无物非草书的奇观,草书真法,一目了然!在反复的磨砺中,他真正触及到了迟涩飞动的笔法深刻,可以复验怀素观夏日流云而得笔墨机变的创造,所以得取笔法真诀,成为真正解书论谙书谱的大手笔!

著名书画评论家 史峰

          2019年6月21日

 This is the reason why cursive script has never been seen since the Tang Dynasty. Later calligraphers will try their best to unlock the lost script by guessing the written records in the classics and combining their own calligraphy practice. Zhao Kepeng is one of the efforts.

Late astringent flying write top-grade, according to the haggard Book spectacle in the face of danger. Those who have a good grasp of cursive brushwork will become great calligraphers. Mi Fu in the Song Dynasty and Wang Duo in the Ming Dynasty were able to understand it. Contemporary Mr. Zhao Kepeng is also a wise man to unlock the cursive writing technique. Therefore, he writes cursive writing, which is absolutely ancient style. He can write the dynamics of solitary Peng's self vibration, and can also write the scene of withering in the face of danger. With his wonderful intention, he can travel smoothly, take no restraint, turn freely, and frighten the flying animals. Combined with the intensity of ink, dry and wet coke, he is as white as a waterfall, Writing has become a wonder of nothing in the world, not cursive writing. The true method of cursive writing is clear at a glance! In the repeated honing, he really touched the deep brushwork of the late astringent flying. He can retest the creation of the pen and ink machine change by observing the clouds in summer. Therefore, he has to take the true formula of brushwork and become a big hand to truly understand the theory of books and understand the Book Manual!

Shi Feng, a famous critic of calligraphy and painting

June 21, 2019