孙永印

1954年出生    天津市人

中国美术家协会会员

中国电影家协会会员

中央美术学院进修

中国现代艺术研究中心高级研究员

八一电影制片厂美术师 (中国第十七届电影金鸡奖最佳美术奖获得者)

Sunyongyin

Born in Tianjin in 1954 Member of China Artists Association Member of China Film Association Central Academy of Fine Arts for further study Senior Research Fellow, China Modern Art Research Center Artist of Bayi Film Studio (winner of Best Art Award of the 17th Golden Rooster Film Award in China)

孙永印作品

其油画作品

《行军路上》入选第六届全国美展

《破土》 入选第八届全国美展

《死生之地》入选第九届全军美展

《沉积》(秦佣系列之二) 入选第十届全军美展

《沉积》(秦佣系列之三) 荣获2001北京国际艺术博览会特等奖

《红墙》 入选全军“远太杯”美术作品展,荣获二等奖

《东方》 入选文化部、广播电影电视部第四届美术作品展

《印记》入选建国50周年全军美术作品展

《月光》太平洋国际拍卖会收藏家收藏

《夕阳》太平洋国际拍卖会收藏家收藏

《冬韵》深圳动产拍卖会私人收藏

《黄河祭》在两会期间百家媒体报道

许多作品被美国、法国、瑞士、日本、新加坡、马来西亚、台湾、香港和内地收藏家收藏。

His oil paintings "March on the Road" was selected for the Sixth National Art Exhibition "Breaking Ground" was selected for the Eighth National Art Exhibition "The Land of Death and Life" was selected for the 9 th National Art Exhibition "Sedimentation" (the second series of Qin servants) was selected into the tenth art exhibition of the whole army Sedimentation (the third series of Qin servants) won the special prize of 2001 Beijing International Art Fair "Red Wall" was selected into the "Yuantai Cup" art exhibition of the whole army and won the second prize "Oriental" was selected into the fourth art exhibition of the Ministry of Culture and the Ministry of Radio, Film and Television "Imprint" was selected into the art exhibition of the whole army on the 50 th anniversary of the founding of the People's Republic of China Collectors' Collection of Moonlight Pacific International Auction Collectors' Collection of Sunset Pacific International Auction Private Collection of Winter Rhyme in Shenzhen Movable Property Auction The Yellow River Festival was reported by hundreds of media during the two sessions Many works have been collected by collectors in America, France, Switzerland, Japan, Singapore, Malaysia, Taiwan, Hong Kong and mainland China.

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另著作《中国历代人物造像》由国家外文局《今日中国》出版社出版,以中,英文两种文版在国内外发行。

Another book, Statues of Chinese Characters in Past Dynasties, was published by Today's China Publishing House of the State Administration of Foreign Languages, and distributed in both Chinese and English at home and abroad.

曾多次在中国《美术》、《军旅画家》、《解放军文艺》、《人民日报》、《当代绘画交流》、《解放军报》、《传奇天下特刊》等报刊上刊登作品。

He has repeatedly published his works in Chinese newspapers and magazines such as Fine Arts, Military Painters, Literature and Art of the People's Liberation Army, People's Daily, Contemporary Painting Exchange, Liberation Army Daily and Legendary World Special Issue.

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流光溢彩形质最美 直抵灵魂主旨为高——记著名油画家孙永印

Brilliant color, the most beautiful shape and quality, and the highest theme —— A record of Sun Yongyin, a famous oil painter

观赏孙永印的油画作品,首先感知到的艺术魅力是很壮观有形态。油画以精于造型为根本,高超的透视与光影纯粹技术能力,体现着孙永印作为一名油画艺术家的专业水准。孙永印油画,是油画的正本品质。虽为东方人,却成为油画主力品质的撑旗领导者,他努力通过油画的本质技法,把握油画创作的主流方向,不让油画滑入虚无的泥潭,或是走出极端印象主义的陷阱。

When watching Sun Yongyin's oil paintings, the artistic charm first perceived is spectacular and formal. Oil painting is based on good modeling, and its superb perspective and pure technical ability of light and shadow reflect Sun Yongyin's professional level as an oil painting artist. Sun Yongyin's oil painting is the original quality of oil painting. Although he is an oriental, he has become a leader in supporting the main quality of oil painting. He tries to grasp the mainstream direction of oil painting creation through the essential techniques of oil painting, so as not to let oil painting slip into the quagmire of nothingness or get out of the trap of extreme impressionism.

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孙永印的油法创作,态度是严谨的,技法是纯正的,可以用“真正的油画”这句朴实的话语来形容孙永印对油画正品品质的坚持和守护。油画源发西方,却在西方放任无拘的画笔下几乎走进了“胡涂乱画”的死胡同,孙永印发现极端不守油画本质技法的创作行为,让油画不但失去了造型为尚的正大品质,还走上了失去大众观赏价值,让大众弃之为丑的邪路。

Sun Yongyin's oil painting creation is rigorous in attitude and pure in technique. Sun Yongyin's insistence and protection on the genuine quality of oil painting can be described with the simple words of "real oil painting". Oil painting originated from the west, but almost entered the dead end of "scribbling" under the brush of the west. Sun Yongyin found that the creative behavior of extreme non-observance of essential techniques of oil painting made oil painting not only lose its decent quality, but also embark on the evil road of losing the ornamental value of the public and letting the public abandon it as ugly.

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孙永印油画得益正宗技法的传承,成为油画创作的主流,流光溢彩的油画作品,品质端正,不但留住了大众对油画的审美视觉,也极好地触动了大众的油画审美心境。观赏孙永印的油画,获得的是真正的艺术享受,而不是茫然甚至是气愤的“看不懂”。

Sun Yongyin's oil paintings benefit from the inheritance of authentic techniques and become the mainstream of oil painting creation. The colorful oil paintings are of correct quality, which not only retains the aesthetic vision of the public, but also touches the aesthetic mood of the public. Looking at Sun Yongyin's oil paintings, you get real artistic enjoyment, not "unable to understand" in a daze or even anger.

大众能看懂孙永印的油画,完全得益于孙永印修成的“艺术绝不可以欺世”的艺术品质。有些油画创作者,借创新为理由,油画创作过度强调个人恣意,忽视顾念大众的主流艺术审美需求,把油画弄得云山雾罩,谜不可观。

The public can understand Sun Yongyin's oil paintings, which is entirely due to the artistic quality of "Art can never deceive the world" repaired by Sun Yongyin. Some oil painting creators, on the grounds of innovation, put too much emphasis on personal arbitrariness in oil painting creation, ignoring the aesthetic needs of the mainstream art of the masses, making the oil painting covered with clouds and mountains, and the mystery is not impressive.

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孙永印创作油画,首要的艺术态度是给人看,让人看懂,然后触动人心。看懂油画靠技法,触动人心靠主旨。每一幅油画作品,都有孙永印要表达的主旨意境,这让他的油画作品被打上了思想者的烙印,有感情,有理想,有思维的光芒。他用油画表达胸怀,表达历史,表达精神气质和文化,富有忧患意识,也有家国情怀。油画通过主旨而透发出来的文化深髓意境,与历史的沉厚感融为一体,让观赏者站在画前,如行纵与历史与文化的广阔空间,心有大动,情有大触,这就是孙永印油画源源不绝的艺术魅力。

Sun Yongyin's first artistic attitude in creating oil paintings is to show people, make them understand, and then touch people's hearts. Understanding oil painting depends on technique and touching people's hearts depends on theme. Every oil painting has the theme and artistic conception that Sun Yongyin wants to express, which makes his oil paintings branded as thinkers, with feelings, ideals and thoughts. He used oil paintings to express his mind, history, spirit and culture, and was full of sense of hardship and feelings of home and country. The deep artistic conception of the oil painting through its theme is integrated with the heavy feeling of history, which allows the viewer to stand in front of the painting, such as walking along the vast space of history and culture, moving his heart and touching his feelings. This is the endless artistic charm of Sun Yongyin's oil painting.

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孙永印凭借深厚的油画理论与实践功底,可得水墨卓绝行者大赞。他因对油画艺术的挚爱而成修行油画艺术的开端,坚持用画笔记录非凡独特的历史,用内心的端正审视油画文化的多彩,用油画解释世界,同时铸造油画里的世界观,引领观赏者用深沉亦绚丽的心境去拥抱油画,观感艺术。

Sun Yongyin, with his profound knowledge of oil painting theory and practice, can be praised by outstanding ink painters. He became the beginning of practicing oil painting art because of his deep love for oil painting art, insisting on recording extraordinary and unique history with brush, examining the colorful oil painting culture with inner correctness, explaining the world with oil painting, casting the world view in oil painting at the same time, and leading the viewer to embrace oil painting and feel art with deep and gorgeous mood.

画好油画,不仅仅限于技法修养,还在于艺术精神的广博与兼容。孙永印是一位从不停止艺术探究的前行者,行者无疆,他走出家门,不做闭门造车的艺术家,游历四方,山水自然,风土人情皆能深刻入画境。

Painting oil painting well is not only limited to skill cultivation, but also lies in the extensive and compatible artistic spirit. Sun Yongyin is a pioneer who never stops exploring art. He walks without borders. Instead of being an artist who builds cars behind closed doors, he travels all over the world, enjoys natural landscapes, and can deeply enter the painting world with local conditions and customs.

孙永印作品

风景油画富有历史文化的沉厚积累,人物肖像油画则有通透人心的细致情感。他借助中国画的意境法则,去扣击油画的写实主义,内容丰富,情感真挚,激发出画法大同,中西合璧的艺术新水准,为东西绘画艺术的融合开辟了典范路径,为油画也为中国画,创造出新鲜的绚烂风采,功成融合,令人敬重。

Landscape oil painting is rich in the accumulation of history and culture, while portrait oil painting is full of meticulous emotion. With the help of the artistic conception rule of Chinese painting, he criticized the realism of oil painting, which was rich in content and sincere in emotion, and inspired a new artistic level of the same painting method and the combination of Chinese and Western painting, which opened up a model path for the fusion of eastern and western painting art, and created a fresh and gorgeous style for oil painting and Chinese painting, which was respected.

著名书画评论家史峰 2018年3月

Famous painting and calligraphy critic Shi Feng March 2018

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