推动世界文明交流与互鉴——中国代表艺术名家刘延超专题报道

Promoting exchanges and mutual learning among world civilizations -- a special report by Liu Yanchao, a representative Chinese artist

文化兴则国家兴，文化强则民族强。当代中国，江山壮丽，人民豪迈，前程远大。时代为我国文艺繁荣发展提供了前所未有的广阔舞台。推动社会主义文艺繁荣发展、建设社会主义文化强国，广大文艺工作者义不容辞、重任在肩、大有作为。

If culture prospers, the country prospers, and if culture is strong, the nation is strong. Contemporary China has magnificent rivers and mountains, heroic people and great prospects. The era has provided an unprecedented broad stage for the prosperity and development of China's literature and art. To promote the prosperity and development of socialist literature and art and build a socialist cultural power, the majority of literary and art workers are duty bound, shoulder the important task and make great achievements.

广大文艺工作者要增强文化自觉、坚定文化自信，以强烈的历史主动精神，积极投身社会主义文化强国建设，坚持为人民服务、为社会主义服务方向，坚持百花齐放、百家争鸣方针，坚持创造性转化、创新性发展，聚焦举旗帜、聚民心、育新人、兴文化、展形象的使命任务，在培根铸魂上展现新担当，在守正创新上实现新作为，在明德修身上焕发新风貌，用自强不息、厚德载物的文化创造，展示中国文艺新气象，铸就中华文化新辉煌，为实现第二个百年奋斗目标、实现中华民族伟大复兴的中国梦提供强大的价值引导力、文化凝聚力、精神推动力。

The majority of literary and artistic workers should enhance their cultural consciousness, strengthen their cultural self-confidence, actively participate in the construction of a socialist cultural power with a strong historical initiative, adhere to the direction of serving the people and socialism, adhere to the policy of letting a hundred flowers bloom and a hundred schools of thought contend, adhere to creative transformation and innovative development, focus on holding the banner, gathering the hearts of the people, educating new people, rejuvenating culture The mission and task of image exhibition is to show new responsibilities in Bacon's soul casting, achieve new achievements in integrity and innovation, radiate a new style in Mingde self-cultivation, display the new atmosphere of Chinese literature and art with the cultural

刘延超，笔名：铁岩。1941年10月出生，籍贯：广东。曾师从广东省著名画家王兰若先生，画家及收藏家梁留生先生学习中国画，基本领悟笔墨要旨。后来客居西安市，同时研习书法。现任：国家一级美术师、中国楹联学会会员、中国书法研究院会员、陕西省书协会员、中国书画艺术促进会常务理事、中国乡土艺术协会艺术发展中心会员、中国书画家联谊会会员、北京当代环球书画院名誉院长。

书法作品曾多次在国内、国际大赛中获奖，如毛泽东诗词全国书画大赛金奖等，曾随“中国书法美术代表团”出访日本、美国，有作品展出及被对方收藏。书法作品还曾在台湾、新加坡、马来西亚、泰国和迪拜展出，并得到好评。2010年，世界艺术家联合会为其颁发 “世界书画艺术家”奖牌及证书。2011年入选中共中央党校“百名书画名家邀请展”并有作品被中央党校收藏。2012年5月在首届中华国粹论坛暨《兰亭序》问世1660周年中华诗书画大赛中书法作品荣获“创作一等奖”。2015年8月书法作品毛泽东词《咏梅》被人民大会堂收藏。近年并有五十多幅书法作品入选有“国家名片”之称——邮票的印制。

2013年5月，被中国书画艺术促进会、中国紫光阁国礼中心等单位授予“国礼艺术家”荣誉称号。2013年7月，被中华文化艺术推广联合会、中华人民美术网等单位授予“最具市场升值潜力艺术家”荣誉称号。2015年，书法作品及长城题词入选八达岭新长城基石镌刻，永久展示；11月被授予“中国新长城杰出艺术家”荣誉称号。2016年12月联合国和平书画院为其颁发终身院士证书。2018年4月中国中外名人文化研究会学术委员会为刘延超颁发“中国艺术大师”荣誉称号。2021年2月被中国互联网新闻中心授予《建党百年献礼功勋艺术家》荣誉称号。

Liu Yanchao, pen name: Tie Yan. Born in October 1941, native place: Guangdong. He studied Chinese painting under the tutelage of Mr. Wang Lanruo, a famous painter in Guangdong Province, and Mr. Liang Liusheng, a painter and collector, and basically understood the essence of brush and ink. Later, he lived in Xi'an and studied calligraphy at the same time. Current: National first-class artist, member of China Couplets Association, member of Chinese Calligraphy Research Institute, member of Shaanxi Calligraphy Association, executive director of Chinese Painting and Calligraphy Art Promotion Association, member of Art Development Center of China Local Art Association, member of Chinese Calligraphy and Painter Association, Beijing Honorary President of the Contemporary Global Calligraphy and Painting Academy.

His calligraphy works have won many awards in domestic and international competitions, such as the gold medal in the Mao Zedong Poetry National Painting and Calligraphy Competition. Calligraphy works have also been exhibited in Taiwan, Singapore, Malaysia, Thailand and Dubai, and have been well received. In 2010, the World Artists Federation awarded him the "World Painting and Calligraphy Artist" medal and certificate. In 2011, he was selected into the "100 Famous Painting and Calligraphy Masters Invitational Exhibition" of the Central Party School of the Communist Party of China, and some works were collected by the Central Party School. In May 2012, his calligraphy works won the "First Prize of Creation" in the first Chinese National Essence Forum and the 1660th Anniversary of the 1660th Anniversary of the "Orchid Pavilion". In August 2015, the calligraphy work Mao Zedong's poem "Yongmei" was collected by the Great Hall of the People. In recent years, more than 50 calligraphy works have been selected for the printing of stamps, which is known as the "national business card".

In May 2013, he was awarded the honorary title of "National Gift Artist" by the Chinese Painting and Calligraphy Art Promotion Association, China Ziguangge National Gift Center and other units. In July 2013, he was awarded the honorary title of "The Artist with the Most Market Appreciation Potential" by the Chinese Culture and Art Promotion Federation, the China People's Art Network and other units. In 2015, the calligraphy works and the Great Wall inscription were selected to be engraved on the cornerstone of the Badaling New Great Wall and displayed permanently; in November, he was awarded the honorary title of "Outstanding Artist of the New Great Wall of China". In December 2016, the United Nations Peace Painting and Calligraphy Academy awarded him a lifetime academician certificate. In April 2018, the Academic Committee of the Chinese and Foreign Celebrity Culture Research Association awarded Liu Yanchao the honorary title of "Master of Chinese Art". In February 2021, he was awarded the honorary title of "Meritorious Artist for the Centenary of the Founding of the Party" by the China Internet News Center.

文化载道，薪火相传，艺术大师刘延超在为中国文化艺术的传承和发扬奉献出自己宝贵的一生，刘老师的书法，从运笔、用墨、布局、章法等来看，其作品布局严谨而不呆板，灵动而不杂乱。行笔挥洒自如，古韵悠长而刚柔并济。笔墨变化多姿，潇洒飘逸，既有浑厚苍劲的气劲，又有温柔秀雅的情韵，承传统于字里行间，出新度于法度之外。真正做到了思想性，艺术性，观赏性的统一，德艺双馨，已具有世界艺术大师风范且能为其他书家创作提升提供了可凭借鉴的有益启示。使传统文化泽润人们的心田，也必将使中华文明源远流长，为世界人民所共享。

The culture is carried on and the fire is passed down from generation to generation. The art master Liu Yanchao has devoted his precious life to the inheritance and development of Chinese culture and art. Mr. Liu's calligraphy, from the point of view of brush strokes, ink use, layout, and spelling, is rigorous and precise. Not rigid, flexible and not messy. The writing is free and easy, and the ancient rhyme is long and soft. The brush and ink are varied, unrestrained and elegant, with a strong and vigorous energy, and a gentle and elegant sentiment, inheriting the tradition between the lines, and creating the novelty outside the law. It has truly achieved the unity of ideology, artistry, and appreciation, and has both virtue and art. It has the style of a world art master and can provide useful inspiration for other calligraphers to improve their creations. To make traditional culture moisten people's hearts, it will also make Chinese civilization have a long history and be shared by people all over the world.

兴来畅叙胸中气    翰不虚动法正宗

――记著名书法家刘延超

无论是张旭草书的妙于肥，还是怀素草书的妙于瘦，其在书法文化史上的崇高地位，并不是肥瘦形态所决定的，而是贵在以书抒情的非凡表现力，触动了人们的视觉和心念，把他们推上了以狂济癫草书颠峰。当代著名书法家刘延远超前辈，磨练草书技法，也是依草圣以书抒情的本质而进取，也非常重视书法畅怀的魅力，成为当代草书可以狂来轻世界醉里得真如的又一位优秀表现者。

他的草书非常注重线条运动的姿态塑，既注重力度的把握，又注重速度的控制，能在眨眼之间调节好力度与速度的巧妙合成，必然是经过春秋不辍的长久磨练而成。刘延超前辈磨练草书之法，深得真法，线条光滑流畅，使转自如，八面出锋，最有势来不可止，势去不可遏的捉摸不定。所以看他的草书必然是飘风骤雨惊飒飒，落花飞雪何茫茫的意象境界，既得前人草书笔法精髓，也有天下万物非草书的深刻体验。外师造化，中得心源，这也是草书磨炼与创作的真谛觉悟。

在结构上他写草书平欹相成，在重心稳定的前提下，表现左顾右盼状如楚汉相攻战的动态结构，通过姿态万般的调节塑造，让书法生成了活灵活现，不呆不板的笔墨精妙。或凌渊战栗，临危据槁，种种结构，都是发源于自然，不造作也不娇柔，一笔横过来，依竖笔，竖笔激落，组成绝岸颓峰的结体姿态，远远望去注岸崩涯，近观则是狡兔暴骇，将奔未驰。这种体式的灵活构造，让他的草书显得字内字外，皆是姿态万千，穿插错落，一任自然！

他的书法非常重视墨色的变化，用墨色的浓淡干湿来表现书法的气韵生动，导之泉注，顿之山安。细腻的墨色纤纤如新月之出天涯，顿挫有力的墨色如奔雷坠石。当许多书家并不太在意墨色的表现时，他的书法却是不失于笔，也不失于墨，果然是笔墨合成的书法精髓。

兴来畅叙胸中气，翰不虚动法正宗。当代草书粗头乱服者有之，这是江湖体。娇柔造作者有之，这是展览体。无论是粗头乱服的江湖体，还是矫揉造作的展览体，都无法表现传统书法的龙脉格局。刘延超经过春秋不辍的磨练，再加上天赋才华的智慧推动，写书法法度严谨，师碑帖取法为上，书法传承晋韵风采，也写唐风正大，有正气是上品，神充气足，当然可见利用书法传承文化的大家风范！

著名书画评论家  田继学

2020年3月26日

Xinglai recounts the breath in his chest, and the method is authentic

——Remembering the famous calligrapher Liu Yanchao

Whether Zhang Xu's cursive script is better than fat, or Huai Su's cursive script is better than thin, its lofty status in the history of calligraphy culture is not determined by the shape of fat and thin, but because of the extraordinary expressive power of lyricism in the book, which touches People's vision and thoughts pushed them to the peak of mad cursive script. Liu Yanyuan, a famous contemporary calligrapher, surpasses his predecessors and hone his cursive calligraphy skills. performer.

His cursive script pays great attention to the shape of the line movement, not only the grasp of strength, but also the control of speed. The ingenious combination of strength and speed that can be adjusted in the blink of an eye must have been honed over a long period of time. Senior Liu Yanchao honed his cursive calligraphy and learned the true way. The lines are smooth and smooth, he can turn freely, and he can attack from all sides. Therefore, looking at his cursive calligraphy must be the image realm of the wind and the rain, the falling flowers and the snow, and the vastness of the imagery. It not only captures the essence of the predecessors' cursive calligraphy, but also has a profound experience that everything in the world is not cursive. The creation of foreign teachers, the source of the heart, is also the realization of the true meaning of cursive script training and creation.

In terms of structure, he writes cursive script in a balanced manner. Under the premise of a stable center of gravity, he expresses a dynamic structure of looking left and right like Chu and Han are attacking and fighting. Through the adjustment and shaping of postures, calligraphy has formed a vivid, not rigid brush and ink. Exquisite. Or Ling Yuan shudders and seizes in the face of danger. All kinds of structures are originated from nature, neither artificial nor delicate. A stroke is drawn horizontally, followed by a vertical brush, and the vertical brush is sharply dropped, forming a knotted posture of the peak of the cliff, far away. Looking at Zhuan Beng Ya, up close, it is a cunning rabbit that is terrifying and will run away. The flexible structure of this pose makes his cursive script look like the inside and outside of the characters, all of which are full of gestures, interspersed, and natural!

His calligraphy attaches great importance to the change of ink color, and uses the shade of ink to express the vivid charm of calligraphy. The delicate ink color is like a crescent moon coming out of the sky, and the powerful ink color is like a thunder falling stone. When many calligraphers don't pay much attention to the expression of ink color, his calligraphy is not lost on the brush, but also on the ink, and it really is the essence of calligraphy combined with brush and ink.

Xinglai recounts the breath in his chest, and Han does not pretend to be authentic. There are some people who are rough and messy in contemporary cursive script. This is the Jianghu style. Delicate creators have it, this is the exhibition body. Whether it is the Jianghu style with thick heads and messy clothes, or the artificial exhibition style, it is impossible to express the dragon vein pattern of traditional calligraphy. Liu Yanchao has been honed incessantly in the Spring and Autumn, coupled with the wisdom of his talent and talent, he writes calligraphy with rigorous methods, and he masters the method of inscriptions. His calligraphy inherits the charm of Jin. Of course, we can see the style of everyone who uses calligraphy to inherit culture!

famous calligraphy and painting critic Tian Jixue

March 26, 2020

心许翰墨传承风  文化名片显大功

——记著名书法家刘延超

刘延超功成翰墨，技法超群，是因为他修炼书法走了一条与众不同的秘径。在修习书画艺术的道路上，他先习画艺，师承名家，充分理解了中国画的笔墨要旨，然后依画家才质，滋养翰墨修成，书法形成了独特的画韵风格，笔墨有情怀，有情景，生动悦目，自由飘逸。

依画功而成书功的书法大家，当下有刘延超，再向前看还有启功大师。启功修翰墨大功，和刘延超近乎走过了同样以画资书的非常态秘径。所以刘延超书法艺术的大造化，与启功取得书法大成就的结果相仿，同样有修书法可先习丹青的标志意义。

诸书皆成，必有独技。刘延超书法以草书为独绝，他谨修碑帖，探源趋古，以古贤为师，他的笔墨有着鲜明的古韵涵养，是书法师古且能化古，得成新功的典范艺术人物。在书法修炼的过程中，能师古似乎并不是特别之处，在古人书法宗技的基础上，再融个人书法的创新之举，让书法功力站在先贤的臂膀上，续写时代芳华，这就是刘延超书法创作能力的扛鼎之力，也是他在书坛能修得秘籍，能创得美迹的重要原因。观赏刘延超的书法，悦目的观感是轻逸快爽。轻逸是笔法，快爽是心迹。行笔纵回，转折绕环，饱含王羲之小醉书兰亭的轻逸之法，透显着他对王羲之书法的深刻临习和崇仰之敬。善于像书圣一样,挥笔自由书，落墨轻逸法，他写书法就是极力传承书法文化的精髓品质，以自由为法，以逸情释法，心迹成笔迹，加上刘延超是一位快爽之人，心绪品质超然而脱俗，笔墨留迹，草书笔法尽生爽快意境。所以他的笔墨多生灵性，如风拥逸云，也似风扬垂柳，情感情景全都入心历目，相当可观。

笔法拟圣贤，破解用笔千古之不易，是刘延超书法的核心技法品质，春蛇秋蚓，出神入化，他的笔法除师承王羲之的潇洒，也有钟繇的圆劲、米芾的恣意，还有怀素张旭的癫狂。一枝毛笔执于手，纵可翻江倒海，气势涌天成盎然，收如鸿羽落平湖，轻有涟漪动人心。笔法精工，宏微可控，体现出他历经数十年修炼而得的书法奇能。能把笔法写至娴熟无际，笔走龙蛇，出神入化的境界，可知刘延超的书法尽是贤能之笔，主流之品。心许翰墨传承风，文化名片显大功。他的书法美迹动人，自然大受青睐，刘延超有众多的书法作品被印制成邮品发行，成为不但可以显功成，又可宣文化的优质名片。把书法写成文化载体，涌现文化品质，刘延超的书法可谓入境而岀韵，境韵双功，功成名就。

著名书画评论家  史峰

2018年5月2日

Heart Xu Hanmo inherits the style, and the cultural business card shows great achievements

——Remembering the famous calligrapher Liu Yanchao

Liu Yanchao succeeded in calligraphy and calligraphy, and his skills were excellent because he took a unique and secret path to practice calligraphy. On the road of practicing the art of calligraphy and painting, he first learned the art of painting, learned from famous masters, and fully understood the essence of Chinese painting. The scene is vivid and pleasing to the eye, free and elegant.

Among the calligraphy masters who have made calligraphy skills based on painting skills, there is Liu Yanchao now, and there is also Master Qigong in the future. Qigong and Liu Yanchao have almost walked through the same abnormal secret path of painting books. Therefore, the great creation of Liu Yanchao's calligraphy art is similar to the result of Qigong's great achievements in calligraphy, and it also has the symbolic meaning of practicing calligraphy first.

All books are complete, and there must be unique skills. Liu Yanchao's calligraphy is unique in cursive calligraphy. He carefully repairs stele inscriptions, explores the source and tends to the ancients, and uses ancient sages as his teachers. . In the process of calligraphy practice, it seems that being able to learn from the ancients is not a special thing. On the basis of the ancient calligraphy skills, personal innovations in calligraphy are integrated, so that calligraphy skills can stand on the arms of the sages and continue to write the youth of the times. , This is the power of Liu Yanchao's calligraphy creation ability, and it is also an important reason why he can cultivate secret books and create beautiful works in the calligraphy circle. Watching Liu Yanchao's calligraphy, the pleasing look is light and refreshing. Lightness is the brushwork, and cheerfulness is the heart. The strokes go back and forth, turning around in circles, full of the light and easy method of Wang Xizhi's little drunken calligraphy Lanting, which clearly shows his profound admiration and admiration for Wang Xizhi's calligraphy. He is good at writing like a calligrapher, freehand writing, and easy writing. When he writes calligraphy, he strives to inherit the essence of calligraphy culture. He takes freedom as the law, interprets the law with ease, and his heart becomes handwriting. In addition, Liu Yanchao is a fast A cool person, the quality of the mood is detached and refined, the brush and ink leave traces, and the cursive brushwork creates a refreshing mood. Therefore, his pen and ink are full of spirituality, like the wind embracing the clouds and the willows in the wind, and the emotional scenes are all vivid and impressive.

The brushwork imitates the sages, and it is not easy to decipher the difficulty of using the pen through the ages. It is the core quality of Liu Yanchao's calligraphy. Spring snakes and autumn worms are superb. His brushwork not only inherits Wang Xizhi's unrestrained style, but also has Zhong Yao's roundness, Mi Fu's arbitrariness, and Huai'an. Su Zhang Xu's madness. Holding a brush in hand, it can overturn rivers and seas. The finely crafted brushwork and the controllable macros and micros reflect his calligraphy skills acquired through decades of practice. Being able to write the brushwork to the limitless skill, the pen to follow the dragon and snake, and the realm of perfection, it can be seen that Liu Yanchao's calligraphy is full of virtuous and mainstream calligraphy. Heart Xu Hanmo inherits the style, and the cultural business card shows great achievements. His calligraphy works are very moving and naturally very popular. Many of Liu Yanchao's calligraphy works have been printed and issued as stamps, which have become high-quality business cards that can not only show success, but also promote culture. Writing calligraphy as a cultural carrier and the emergence of cultural qualities, Liu Yanchao's calligraphy can be said to be rhythmic and rhythmic when entering the country.

Famous calligraphy and 

painting critic Shi Feng

May 2, 2018